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Following in his deceased brother's footsteps, power-hungry drug lord Evandro embarks on a ruthless rise to power in Brazil's crime-ridden favelas. Evandro's ascension puts him on a collision course with Victor, a reckless detective with nothing to lose.

Film adaptation of the TV Show in 1994, based on the novel of the same name by Érico Veríssimo. During a general strike in the city of Antares, gravediggers refuse to carry out burials, to increase pressure on employers. During the night, however, the dead claim the right to be buried.

During the Covid-19 pandemic, young filmmakers from a São Paulo favela make a film to apply for a grant offered by an institution that uses them as mere pawns. An opportunity for a critical exercise and a demonstration of lucidity. 　　[FR] Durant la pandémie de Covid-19, de jeunes cinéastes d’une favela de São Paulo réalisent un film pour candidater à une bourse proposée par une institution qui les utilise comme faire-valoir. L’occasion d’un exercice critique et d’une démonstration de lucidité.

A satirical film series in which Oliver Kalkofe and Peter Rütten present and comment on B-movies that are characterized by a particularly bad style or unintentionally funny ideas.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

"We are the old man. Life is the sea, and loneliness is the lake. " 　　“我们就是老人，生命就是大海，孤独就是湖泊。” ---- Camilo Cavalcante